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An events estate seen from the sky at first light, its cobbled courtyard, its orangery and its gardens still empty.

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Getting a tour signed off without twelve screenshots

“The third photo, the thing on the left, can you take it out?” How the Atelier replaces email with a conversation pinned to the exact spot in the tour.

ByJean-Charles6 min read

You deliver the tour on a Thursday evening. The next morning the email arrives:

“It’s great! Just, on the third photo, the thing on the left, can you take it out? And the view from the car park isn’t great.”

There are eleven scenes. “The third” is not the third one for you. “The thing on the left” depends on where the client was looking when they wrote. And “the view from the car park” you framed that way on purpose.

Then begins the most expensive part of the project: three rounds of email, four screenshots annotated by hand, and a twenty-minute phone call to work out that they meant a wheelie bin.

The problem is not communication, it is anchoring

A 360 tour has no “third photo”. It has scenes, and within each scene, 360 degrees. A comment on a tour needs two coordinates that email does not carry: which scene, and which direction.

That is exactly what the Atelier does: it anchors every comment to a scene and to a precise viewing direction. The client clicks on what bothers them, writes their sentence, and you reopen the tour at exactly the same place, on the same axis.

The same comment, two media

By email

3 rounds

“the third photo, the thing on the left” - you have to guess the scene, then the direction, then the object

In the Atelier

1 click

the comment sits on the bin, in the right scene, on the right heading - there is nothing to guess

What changes in the shape of a project

  1. 01

    You switch the Atelier on over the tour in progress

    It is a layer you activate. The tour does not change, it gains a working layer on top.

  2. 02

    You send the client a link

    No account to create, no password to choose, no invitation to accept. They click and they are in the tour, identified by their first name.

  3. 03

    They annotate what bothers them

    One click in the sphere, one sentence. They can attach an image - a photo of the façade as it will look after the works, say.

  4. 04

    You reply in the thread

    The conversation stays attached to the point. No “re: re: re: golf tour V3” in an inbox, no screenshot lost in a Slack thread.

  5. 05

    You resolve, and you close the Atelier

    Each comment dealt with is resolved and leaves the view. When everything is resolved, you close the layer and you deliver.

The concept that makes all of it possible

It fits in one sentence, and it is the one that decided the whole design:

A note is not a hotspot.

Both sit in the same place, with the same anchor. Their life cycles are opposites.

A hotspot is content of the tour. It is published, it appears in the public player and in the iframe embedded on the client’s website, it exists to be seen by visitors. It is a part of the tour.

A note is a conversation about the tour. It lives for the length of the project, it gets resolved, then it disappears. It is a part of the making.

The detail that matters to a venue client

It is the one that decides adoption, and it is mundane: the guest has no account to create.

A campsite manager will not open an account on a tool they will use three times. They will not find their password again. They will forward your email to their business partner, who will have access to nothing.

The Atelier link carries its own token, revocable, independent of the tour’s visibility. A private tour can have an active Atelier; closing the Atelier publishes nothing, and revoking the link does not close the tour.

What the Atelier deliberately does not do

Two absences, and they are decisions rather than gaps.

No cursor following. We do not force other participants’ gaze. An Atelier is not a presentation: everyone looks where they want, and it is the note’s anchor point that synchronises the conversation, not the camera.

No voice. A call on the tool you already have does it better, and nobody needs a third video-conferencing app. The Atelier is the table, not the phone.

participants per Atelier, and 500 open threads

50

Well beyond a virtual-tour project, where you rarely exceed three people. Attachments go up to 10 MB, which covers a reference photo without compression.

Documented Atelier limits, included from the Place plan up.

Where it genuinely helps

Three situations come up, and they are not the ones you imagine while designing the tool.

Client sign-off on a job. The original case, the Friday-morning email. That is where the gain is measured in calendar days.

Editorial preparation with several people. At an event venue, the sales manager knows which rooms to feature and the drone pilot knows what photographs well. The conversation happens in the tour rather than in a spreadsheet of comments.

Construction progress. Client, architect and contractors all look at the same dated viewpoint and discuss it. See Construction progress.

What that says about the rest

A virtual tour tool spends its time answering “how do I show this place”. The question that actually costs a drone pilot time is elsewhere: how do I get what I showed signed off.

That is why the Atelier is a layer and not one more feature in the player. It serves the making, it disappears at delivery, and the end visitor never sees the slightest trace of it.


The Atelier is included from the Place plan up. The guide to selling virtual tours sets out the rest of the production model.

Jean-Charles

Développeur et télépilote de drone. Construit Moorea au sein d’Elvn Studio.

Further reading

A place worth showing from above?

The free plan is enough to publish a first tour and show it around.